Here We Go Here We Go Again Rap
| Here We Go Once more | ||||
|---|---|---|---|---|
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| Live album Celebrating the Genius of Ray Charles by Willie Nelson and Wynton Marsalis featuring Norah Jones | ||||
| Released | March 29, 2011 (2011-03-29) | |||
| Recorded | Feb 9–ten, 2009 | |||
| Venue | Rose Theater, New York City | |||
| Genre | Jazz, country | |||
| Length | 61:49 | |||
| Label | Blue Note | |||
| Willie Nelson chronology | ||||
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| Wynton Marsalis chronology | ||||
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| Norah Jones chronology | ||||
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| Audio sample | ||||
| "Here We Go Over again"
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Hither We Go Again: Celebrating the Genius of Ray Charles is a alive tribute anthology by land singer Willie Nelson and jazz trumpeter Wynton Marsalis. It was recorded during concerts at the Rose Theater in New York Urban center, on February 9 and ten, 2009. The album received mixed reviews, in which the instrumentation of Marsalis' orchestra was praised by the critics.
Background and recording [edit]
Nelson and Marsalis played together for the kickoff time in 2007 at The Allen Room in Lincoln Center, which resulted in the critically acclaimed anthology 2 Men with the Blues, released the adjacent yr.[one] [2] The album held the number one position in the Billboard Jazz Albums chart for four weeks.[3] [4] [v] [vi] Nelson and Marsalis joined over again in 2009 forth with Norah Jones for a series of two concerts, at the Rose Theater, on February 9 and February 10. The recordings were released on March 29, 2011.[ane]
Reception [edit]
| Amass scores | |
|---|---|
| Source | Rating |
| Metacritic | (63/100)[seven] |
| Review scores | |
| Source | Rating |
| AllMusic |    [13] |
| The Austin Chronicle | [eleven] |
| BBC Music | (positive)[16] |
| The Daily Telegraph | [x] |
| The Jazz Line | [15] |
| Los Angeles Times | [8] |
| The New Zealand Herald | [12] |
| PopMatters | (7/ten)[14] |
| Rolling Stone | [9] |
The Los Angeles Times's music critic rated the release with three stars out of four, and wrote: "Ray Charles surely would have admired the inventive and lively jazz-drenched arrangements accompanying many of his standards, including "Hitting the Route Jack," "Busted," "Hallelujah I Love Her So," "Unchain My Heart" and "Cryin' Time."[viii] Rolling Stone praised Nelson and Jones' duet on Buck Owens' "Crying Time", but criticized the affluence of solos between Nelson and Marsalis' band: "(Here We Go Once more) feels like a missed opportunity. Nelson's nylon-stabbing guitar is too deficient here, giving way to Marsalis' jazz band, a slick cast that rotates solos exhaustively."[9] The Texas Monthly also criticized the arrangements: "applying Willie'due south offhand cool and Jones'south trademark reserve to the genius's hits, particularly his blistering soul classics, makes about every bit much sense as asking Tony Bennett to cover the Butthole Surfers [...] Here We Get Over again is total of arrangements that take the incorrect fork in the route. The expert musicianship of Marsalis'due south working ring overthinks and dulls downward almost every tune."[17]
The Daily Telegraph rated it with iv stars out of five. Praising Nelson, Marsalis and Jones as well as the backing band, the critic stated "They have done Ray Charles proud".[x] Meanwhile, The Austin Chronicle rated the album with ii stars out of five; critic Jay Trachtenberg wrote: "Despite boasting favorites from Charles repertoire including "Cryin' Fourth dimension," "Disrepair," and "Hitting the Road Jack," this summit never clicks, peradventure a upshot of the one-off nature of the projection making it hard for the musical personalities to fully gel".[11] The New Zealand Herald wrote: "While they may seem like a funny couple, with the deft precision and fashion of Marsalis seemingly at odds with Nelson's more unkempt delivery, it actually works".[12]
AllMusic wrote: "With Charles' standards like "Hallelujah I Beloved Her And so", "Cryin' Fourth dimension", "Hitting the Road Jack", "Busted", "Makin' Whoopie", and his iconic signature hit, "What'd I Say" all sounding comfy and fresh. The only thing missing is Ray Charles himself, who undoubtedly would take had no trouble plumbing fixtures into these shows. Radio at present splits everything into little niches. That isn't what Charles was nearly. He saw music equally convergence. This fine concert anthology plays in that aforementioned spirit".[13]
PopMatters delivered a mixed review, praising the squad of Nelson, Marsalis and Jones, but criticizing the operation of the songs, indicating that they consisted merely of an all-star lineup that did not apply a new perspective to Charles' recordings: "the whole never really rises above the sum of its parts, and no 1 always tries to teach us something new about these tunes. [...] Not that hearing these voices on groovy tunes doesn't thrill. It does. [...] What's missing is some chemical element of risk or sacrifice".[14]
BBC Music wrote a mixed review, remarking that
"Marsalis and company don't exactly striking the bull's-heart every fourth dimension on this recording of the event. And what'due south nearly apparent, sadly, is that Nelson'southward vocal deficiencies abound more obvious every year. Some might argue that his weathered vocalization has gained in character what it has lost in forcefulness and range, but my ears tell me otherwise [...] On the plus side, the Marsalis band compensates quite adequately for occasional lacklustre vocals, navigating the various nooks and crannies of Charles' eclectic songbook with just the right combination of jazz and pop smarts. [...] Thanks largely to the instrumental work, there'due south a satisfying corporeality of entertainment value on this release – fifty-fifty if major revelations are non forthcoming."[xvi]
The review also noted that, while Jones added "manner and panache" to both jazz ("Come Rain or Come up Shine", "Makin' Whoopee") and country ("Here We Become Once more") songs, she sat out most rhythm and blues songs.[16]
Runway listing [edit]
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| ane. | "Hallelujah I Dear Her So" | Ray Charles | 4:54 |
| 2. | "Come up Rain or Come Shine" (featuring Norah Jones) | Harold Arlen, Johnny Mercer | iii:52 |
| 3. | "Unchain My Heart" | Teddy Powell, Bobby Sharp | v:35 |
| 4. | "Cryin' Time" (featuring Norah Jones) | Buck Owens | iv:32 |
| 5. | "Losing Mitt" | Charles Calhoun | v:sixteen |
| 6. | "Hit the Road Jack" (featuring Norah Jones) | Percy Mayfield | 7:45 |
| 7. | "I'm Moving On" | Hank Snow | five:44 |
| 8. | "Disrepair" | Harlan Howard | three:52 |
| 9. | "Here We Go Once again" (featuring Norah Jones) | Don Lanier, Blood-red Steagall | 5:10 |
| ten. | "Makin' Whoopee" (featuring Norah Jones) | Gus Kahn, Walter Donaldson | four:54 |
| 11. | "I Love You So Much It Hurts" | Floyd Tillman | 2:52 |
| 12. | "What'd I Say" (featuring Norah Jones) | Ray Charles | half dozen:11 |
A Barnes & Noble-exclusive edition has three bonus tracks: "You Don't Know Me" (four:45), "You Are My Sunshine" (6:26), and "That's All" (6:04).
Personnel [edit]
Musicians
- Willie Nelson – guitar (one–9, 12), vocals (1, 3–9, eleven, 12)
- Wynton Marsalis – trumpet, arranger, vocals (6, 8, 12)
- Norah Jones – vocals (2, 4, 6, 9, 10, 12)
- Dan Nimmer – piano
- Carlos HenrÃquez – bass
- Walter Blanding – tenor saxophone, vocals (6)
- Mickey Raphael – harmonica
- Ali Jackson – drums, percussion[18]
- Arrangements past Sherman Irby (one), Richard DeRosa (2, 10), Victor Goines (3, 4), Jackson (5), Vincent Gardner (six), Marsalis (7, eleven), Christopher Crenshaw (8) and Andy Farber (9, 12)[nineteen]
- Music supervised past Christianna English and Kay Niewood
- Music copyists were Geoff Shush, Jonathan Kelly and Kate Sain
Production
- Jeff Jones – producer, engineer (mixing, mastering)
- Jazz at Lincoln Center – producer
- Mark Rothbaum – executive producer
- Saundra Palmer-Grassi – engineer (recording)
- Rob Macomber – engineer (recording)
- Gordon H. Lee – creative direction
- Randall Leddy – art direction, blueprint
- Darren Berth – typography
Nautical chart Performance [edit]
| Nautical chart | Peak position |
|---|---|
| Billboard Jazz Albums | 2[xx] |
| Alben Top 75 (Republic of austria) | 40[21] |
References [edit]
- ^ a b "Here We Become Once more: Jubilant the Genius of Ray Charles". WillieNelson.com. Archived from the original on May thirty, 2011. Retrieved March 22, 2011.
- ^ Chinen, Nate (2009-02-10). "Much Brass, a Bit of Twang and Plenty of Ray Charles". The New York Times . Retrieved 2011-08-06 .
- ^ "Top Jazz Albums: Week of July 26, 2008". Billboard. 2008-07-26. Retrieved 2011-05-17 .
- ^ "Tiptop Jazz Albums: Week of August 2, 2008". Billboard. 2008-08-02. Retrieved 2011-05-17 .
- ^ "Top Jazz Albums: Week of August 9, 2008". Billboard. 2008-08-09. Retrieved 2011-05-17 .
- ^ "Top Jazz Albums: Week of August sixteen, 2008". Billboard. 2008-08-16. Retrieved 2011-05-17 .
- ^ "Here Nosotros Become Once again: Celebrating the Genius of Ray Charles". Metacritic. Retrieved June 6, 2011.
- ^ a b Lewis, Randy (March 29, 2011). "Anthology review: 'Here We Go Again: Celebrating the Genius of Ray Charles' with Willie Nelson & Wynton Marsalis featuring Norah Jones". Los Angeles Times. Tribune Visitor. Retrieved June 12, 2011.
- ^ a b Doyle, Patrick (April 13, 2011). "Willie Nelson and Wynton Marsalis". Rolling Rock. Wenner Media LLC. Archived from the original on June five, 2011.
- ^ a b Chilton, Martin (May 17, 2011). "Here We Become Again – Celebrating the Genius Of Ray Charles, CD review". The Telegraph. Telegraph Media Group Limited. Retrieved June 12, 2011.
- ^ a b Trachtenberg, Jay (April 29, 2011). "Willie Nelson & Wynton Marsalis (Featuring Norah Jones) Here We Get Over again: Celebrating the Genius of Ray Charles (Blue Note/EMI)". Austin Chronicle. Austin Relate Corp. Retrieved June 12, 2011.
- ^ a b Kara, Scott (April 5, 2011). "Album Review: Willie Nelson, Wynton Marsalis featuring Norah Jones, Here We Go Again". New Zealand Herald. APN Holdings NZ Limited. Retrieved June 12, 2011.
- ^ a b Leggett, Steve. Here We Go Once more: Celebrating the Genius of Ray Charles at AllMusic. Retrieved June vi, 2011.
- ^ a b Layman, Volition (April 1, 2011). "Willie Nelson and Wynton Marsalis featuring Norah Jones: Here We Go Again". PopMatters. PopMatters Media, Inc. Retrieved May viii, 2011.
- ^ "Review: Here We Go Once more – Jubilant the Genius of Ray Charles". The Jazz Line. Mersion Media.
- ^ a b c Tilland, Neb (March 23, 2011). "Marsalis and Nelson join forces once again, with aid from Norah Jones". BBC Music. British Broadcast Corporation. Retrieved May 8, 2011.
- ^ McCord, Jeff (April 2011). "Here We Get Once again: Celebrating the Genius of Ray Charles". Texas Monthly. Emmis Publishing LP. Retrieved May 8, 2011.
- ^ Hither We Go Again: Celebrating the Genius of Ray Charles (booklet). Willie Nelson and Wynton Marsalis featuring Norah Jones. New York Metropolis: Bluish Note Records. 2011. p. iv. 509990 96388 2 ii.
{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link) - ^ Here Nosotros Get Again: Jubilant the Genius of Ray Charles (booklet). Willie Nelson and Wynton Marsalis featuring Norah Jones. New York City: Blue Note Records. 2011. pp. 2–three. 509990 96388 2 2.
{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link) - ^ "Hither We Go Again Celebrating The Genius of Ray Charles: Charts & Awards". Allmusic. Rovi Corporation. Retrieved June 12, 2011.
- ^ "Willie Nelson & Wynton Marsalis Featuring Norah Jones – Here We Go Once more:Celebrating the Genius of Ray Charles (Album)". Austrian Charts.at (in German). Hung Medien. Retrieved June 12, 2011.
Source: https://en.wikipedia.org/wiki/Here_We_Go_Again:_Celebrating_the_Genius_of_Ray_Charles
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